MASTER OF FINE ARTS DEGREE (MFAS)
The Yale School of Art is the art school of Yale University. Founded in 1869 as the first professional fine arts school in the United States, it grants Masters of Fine Arts degrees to students completing a two-year course in graphic design, painting/printmaking, photography, or sculpture.
The degree of Master of Fine Arts is the only degree offered by the School of Art. It is conferred by the University upon recommendation of the faculty after successful completion of all course work in residence and after a thesis presentation that has been approved by the faculty. It implies distinctive achievement on the part of students in studies in the professional area of their choice and demonstrated capacity for independent work. The minimum residence requirement is two years. All candidates’ work is reviewed by faculty at the end of each term. If the work is not considered satisfactory, the student may not be invited back to complete the program (see section on Review and Awards under Academic Regulations in the chapter General Information). All degree candidates are expected to be present at the Commencement exercises in May unless excused by the dean.
Course work for the Master of Fine Arts degree carries a minimum of sixty credits. The disposition of these credits varies according to the area of study and is agreed upon at the time of registration between the student and the student’s faculty adviser.
History of the School
The study of the visual arts at Yale had its beginning with the opening, in 1832, of the Trumbull Gallery, one of the first (and long the only one) connected with a college in this country. It was founded by patriot-artist Colonel John Trumbull, one-time aide-de-camp to General Washington, with the help of Professor Benjamin Silliman, the celebrated scientist. A singularly successful art exhibition held in 1858 under the direction of the College Librarian, Daniel Coit Gilman, led to the establishment of an art school in 1864, through the generosity of Augustus Russell Street, a native of New Haven and graduate of Yale’s Class of 1812. This new educational program was placed in the hands of an art council, one of whose members was the painter-inventor Samuel F. B. Morse, a graduate of Yale College. American painter John Ferguson Weir served as the first director and then dean of the Yale School of the Fine Arts when it opened in 1869. It was the first art school connected with an institution of higher learning in the country, and classes in drawing, painting, sculpture, and art history were inaugurated. The art collections in the old Trumbull Gallery were moved into a building endowed by Augustus Street and so named Street Hall, and were greatly augmented by the acquisition of the Jarves Collection of early Italian paintings in 1871.
Architectural instruction was begun in 1908 and was established as a department in 1916 with Everett Victor Meeks at its head. Drama, under the direction of George Pierce Baker and with its own separate building, was added in 1925 and continued to function as a department of the School until it became an independent school in 1955. In 1928 a new art gallery was opened, built by Egerton Swartwout and funded through the generosity of Edward S. Harkness. It was connected to Street Hall by a bridge above High Street, and Street Hall was used for instruction in art. The program in architecture was moved to Weir Hall, designed by George Douglas Miller. A large addition to the Art Gallery, designed by Louis I. Kahn in collaboration with Douglas Orr, and funded by the family of James Alexander Campbell and other friends of the arts at Yale, was opened in 1953. Several floors were used by the School until the rapidly expanding Gallery collections required their use. In 1959 the School of Art and Architecture was made a fully graduate professional school. In 1963 the Art and Architecture Building, designed by Paul Rudolph, was opened, funded by many friends of the arts at Yale under the chairmanship of Ward Cheney. In 1969 the School was constituted as two faculties, each with its own dean; and in 1972 two separate schools were established by the President and Fellows, the School of Art and the School of Architecture, which until 2000 shared the Rudolph building (now Rudolph Hall) for most of their activities. Sculpture was housed at 14 Mansfield Street in Hammond Hall (a large building formerly used for mechanical engineering), graphic design was located at 212 York Street (an old Yale fraternity building), and at 215 Park Street there were classrooms and additional graduate painting studios. Street Hall was assigned to the University Department of the History of Art. The arts at Yale—architecture, art, the Art Gallery, the Center for British Art, the history of art, the School of Drama, and the Repertory Theatre—thus occupied a group of buildings stretching along and near Chapel Street for almost three blocks.
It had long been the University’s plan to extend the Arts Area schools farther up Chapel Street. The first major new construction under this plan was the renovation of 1156 Chapel Street with the addition of an adjoining building at 353 Crown Street, designed by Deborah Berke, which opened in September 2000. A generous gift by Yale College graduate Holcombe T. Green, Jr., for whom the building is named, and a major contribution by Marion Rand in memory of her husband, Paul Rand, professor of graphic design, made this new complex possible. The new art buildings house an experimental theater for the School of Drama and all departments of the School of Art except sculpture. In 2009 sculpture moved from Hammond Hall, where it was housed from 1973 to 2008, to a new building in the Arts Area at 36 Edgewood Avenue adjacent to a new School of Art gallery at 32 Edgewood Avenue, both designed by Kieran Timberlake.
Among the list of notable artists who have graduated from Yale are graphic designers Ivan Chermayeff, Jane Davis Doggett, Alan Fletcher, Tom Geismar, and Norman Ives; painters William Bailey, Jennifer Bartlett, Chuck Close, Joan Wadleigh Curran, John Currin, Lisa Yuskavage, Isabella Doerfler, Rackstraw Downes, Janet Fish, Audrey Flack, Gary Lang, Robert Mangold, Brice Marden, Sean Landers, Tameka Norris, Mickalene Thomas,[17] Robert Vickrey, Kehinde Wiley,[18] and Lewis Edwin York; photographers David Levinthal, Gail Albert Halaban, Dawoud Bey,[19] Gregory Crewdson, Philip-Lorca diCorcia, Pao Houa Her, and Constance Thalken; the printmaker Imna Arroyo, sculptors Eva Hesse, Nancy Graves, James Angus, Wangechi Mutu,[20] Charlotte Park[21] Martin Puryear, Jean Blackburn, Frederic Remington, Priscilla Roberts, Fred Sandback, Sula Bermúdez-Silverman and Richard Serra; cartoonist Garry Trudeau; and multimedia artists Matthew Barney and Alex Da Corte.